Planethood

Pluto

photo courtesy of The Guardian

A silly poem in honor of Pluto.

Planethood
When mortals pretend to know everything
the gods cannot but laugh at silliness.
And how we are called the names of bodies–
our celestial immortality
becomes preserved regardless then of fate.
Two schools of thought–one embraces the old
notion of nine planets, with me, Pluto
in the rear. Spherical, elliptically
orbiting the sun–and yet large enough
to hold myself together with gravity.
The other theory calls me comet-like,
asteroid-esque, or minor planet-ish
anomaly made up of ice and rock.
Take, for instance, my odd loop which orbits
the sun and so perhaps I should have been
a ballerina. If I act more like
one thing than another, then could I be
the first thing, not the second. Never mind
about that. I say look to history:
Cast by non believers down to the rank
of myth, then cast from darkened underworld
where I began my reign so long ago.
In ancient times benevolent gods were
laughed upon, while gods with wrath inside them
took their place on Mount Olympus–brothers
Jupiter, Neptune, Pluto, were all known
giants. Jupiter, the lord of thunder,
ruled supreme. Neptune, ruler of the sea,
commanded waves of power, beckoned storm
upon storm; then I, brother three, did draw
for my fair share of the underworld, where
I remained long, free, and terrible. King
of the dead, resurrected by old men,
astronomers who look to see and find
objects buried deep into space until
technology is fortunate enough
to see and bargain for history’s sake.
I am Pluto, damnit, mightiest king
of the dead of dead. Place me in your sky
oh man, and be satisfied. Resurrect
my name for purposes divine and sell
your soul to me. If I am not a planet
true, then let me be false, as falsity
has meaning, too. Let me have my planet
hood. Be gone, you comet thinkers, asteroid
lovers, crazies: to thine own selves be true,
you who deny my right to sit as rock
and ice, at just the end of that old world.
Do not use my name and abandon me
here, far in the sky, without the proper
acknowledgement. For I will spill on you
the wrath of death and you will find yourselves
heretics, alone, in my underworld.

Four Tankas

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The moon’s fingernail
scrapes a far away gazer’s
thoughts, breaking open
her mind, freeing a thousand
love songs stoked with lunar dust.

East-blowing storms coil
above night’s descending
horizon. Stars pop
from showering brushstrokes
across blue lingering breath.

I pledge to read each
day’s oncoming slaughter
as a penniless
dark spur opening beneath
a cataclysm of daisies.

As the final gasp
of a humid day wheezes
into dusk, a breeze
tickles with its feather tongue,
hinting at evening’s reprieve.

Reconnaissance: The Poetry of Amy Nawrocki (with audio)

Check out the latest Issue of Nutmeg Chatter and my interview with J. Timothy Quirk and a reading of “Giverny” from Reconnaissance.

jtimothyquirk's avatarNUTMEG CHATTER

nutmeg chatter amyProfessor Amy Nawrocki teaches Creative Writing and English at the University of Bridgeport. Her fist collection of poems “Four Blue Eggs” won the Poetry Prize for Homebound Publications. Professor Nawrocki visited WAPJ studios in Torrington, CT to discuss her new book “RECONNAISANCE”  The first portion of the interview is below and will be aired Wednesday morning.

Amy Nawrocki’s “RECONNAISANCE” was created under the theme of “inspiration and investigation”. Nawrocki has always been drawn to the work of other artists, writers, musicians and often her poetry can be inspired by her travels and exploration of those other artists Nawrocki wanted to think about those origins of inspiration and literary inspiration is found throughout her poetry. There are references to Percy Shelly, to Lord Byron and Anais Nin” among many literary giants. There are also references to artists like Dali and Brassai and there is inspiration found from music (references to jazz and to…

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Gardening Blues

This poem appears in Four Blue Eggs, available if you click here. A few more clicks and it will conveniently appear in your mailbox or on your doorstop.

Arboriculture

I’m sure the red mulch
spread beneath the dormant azalea
has in its loamy peat the macerated remnants
of a massive Louisiana cypress.
I know it in my bones.

Somewhere in the swamps
of Atchafalaya, an ancient
colossus towering hundreds of feet
fell with the unheard echo
of a stolen temple bell. The harvested

trophy died again at the mill,
chomped to confetti by the grimacing
false teeth of a machine. I suffer
the russet sin with my arms elbow deep
in agriculture as I distribute
the ground cover around sweet william

and verbena blossoms in the front yard.
I’m hardly as wicked with those;
their plastic trays were purchased
from the farm stand where tiny, ripe
organic strawberries pleased my lips

and sour cherries melted like wine
lozenges in my mouth. I spit the pits
out the car window on the drive home.
But I am wicked to the core
and today, the supermarket is closer

to the mail drop and the library
where mediocre books, half-read
are overdue, and those bags of the dirty fill,
stacked on the concrete walkway near the store
seem so utilitarian, so earthy

and convenient, plus I hate the weeds
that the bag promises to squelch
and the neighbor, with her elegant
foxgloves and geraniums is really
the one to blame for this. But I cannot

loose the swamp cypresses
from my mind, these conifers, these
sacred fellows holding the soil in
with their gracious roots, exhaling
with delicate silence. I feel like God

doling out the flood waters
with bloody hands handsomely disguised
by garden gloves. I am a fraud, a pirate,
and when the levees break again
I will sink into a counterfeit soil and drown.

gourd blossom 4

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Companionship and Inspiration

Sing to Me
Sing to me, Oh heavenly Muse,
Sing of the sea, “wine dark” and full of mysteries;
Sing your generous musings into my untamed ears,
Guide me to places where islands peek out and crest from the ocean’s swell of waves.

Speak to me of sailing, foreign speaking travelers, roads and pathways winding and      steep, gravel covered, tree-lined and mountain rich, those which frame
the ocean’s mighty blue-black plentitudes in their sights.

Sing to me of gannets; the birds of prehistory captured in flight, white winged with sun-touched caps and eyes blue as the empty sky.

Sing to me of porcupines, earth dwellers of the spiny quills, shy and clover-munching; Sing of rabbits tramping through forests, stealing a moment to look out and survey the
open path, only to scurry playfully into the underbrush.

Bring to my ears the far-away call of the coyotes, watching over the mountain campsite. Bring to me news of whales, giants so gentle in their swimming, the sea’s expanse seems hardly touched by their brawn.

And Muse, bring to me tidings of love, companionship, a hand that reaches out and takes me into the pleasing sunshine, so that we will walk toward the horizon and find a
moment now and then to make love among the brilliant colors in the expansive catastrophe of this world.

For Eric

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West Rock Ridge

Weightless

A poem first published in Potato Eaters, published by Finishing Line Press, copyright 2008.

Weightless

Autumn, the ballet, dances
through the speechless trees, resplendent
motion uttering no sound.
Painted atmospheres tickle
a spectator, that flesh colored leaf
standing at the center, earthless –
a Renaissance bather in a silent film.
Beneath the young girl’s feet,
cold clay moonrocks touch tenderly.
Standing motionless, she takes flight
like a naked sparrow, windblown;
no chill strikes her skin; she listens
to all that is quiet and warm,
warmth which radiates not
from the yellow sun, but from her angel spine
with knowledge of the breathless wind.
Unworldly, unafraid, enjoying
the dance she sees, fancying
herself a participant.

Click here to see my poem “How Poetry Differs from Gardening,” in Fox Adoption Magazine.

Click here to connect with Homebound Publications, and my latest book, Reconnaissance.

The Train Ride Home

I, the Wicked

Naked, I am forgiven,
waiting and wondering, without
apology. My life has been
the rotation of planets. My happiness—
mercury, climbing liquid of dreams.
I am the red submission of sunset.

Never did the gods laugh with me.
Night advanced, moody and feline,
and I became captive. My cohorts,
jackals and earthworms, seethed
with indifference. We danced like tumbleweed,
unbelievable, burning a crowd of green
with our weeded uprising.

And this is how it went,
when the end came, when time
boxed and electric, sagged
like an infant into my arms.
Morning acquiesced, I removed
the shackles and boarded the train
back home, back
to the lace and emptiness
of world. Judged still
I am a shadow.

Noontime,
the animals and I await
the crutch of sleep.

An old poem, but one I can’t really let go of. IMG_20130602_134814