“My writing process saves a fair percentage of time for self-doubt and lack of artistic confidence.”
It starts with an encounter. There is a notarized mammal, a dead serpent, and a preserved misspelling. Then a mythical flash of inspiration, the grabbing for tool and template, and the clumsy yet magical act of documentation. Just like the muses prophesized. Read more:
More often than not, the process begins with a mistake.
Such was the idea put forth by painter (and frame maker) Charles Prendergast in explaining his theory of crafting frames. Recently, I had the chance to learn about Charles, and his better-known brother Maurice, at the New Britain Museum of American Art and to experience their collaborations. My feature article “The Painting and Its Frame” explores the relationship between the image and frame. You can find the full text at Woven Tail Press. Here is Maurice’s Approaching Storm framed by Charles’s wood frame with gilding and paint.
. . . Often my museum experience brings me to artists who have completely abandoned the frame—whether it’s painters whose raw canvas stands on its own or sculptures and installations where the boundaries are figurative.” Read More