Byrd’s Books

20140808_213728I had a great time at Saturday’s book signing with David K. Leff and Eric D. Lehman. The booth was part of the Danbury First Congregational Church Fall Festival. If you missed all the local authors (we were just three of many), head over to Byrd’s Books and catch up on your reading list.

amy at byrdsHere’s me reading  from Four Blue Eggs in March at Byrd’s Books in downtown Bethel (126 Greenwood Avenue). If you can’t get there in person, you can order online! Support your local independent bookstore. Byrd’s is one of the state’s best.

Lost and Found Photographs

A few months ago, a friend, who had purchased my childhood home after my father died, dropped off a few things left behind. Included in the pile were both my parents old yearbooks and an unmarked photo album that belonged to my Uncle Stanley. Among the shots of navy men and exotic places was this shot of a fisherman. I’m guessing it’s Hawaii, but I don’t know for sure. fisherman scans 001

A poem that I wrote with the photo in mind will appear in a forthcoming collection. Look for it soon!

“After Inspecting Brassai’s Grafitti”

 

Reading with Voices of Poetry, July 2014 at the Washington Arts Association Gallery in Washington Depot, CT.

“After Inspecting Brassia’s Graffiti” can be found in Lune de Miel, published in 2012 by Finishing Line Press. Thanks to Eric D. Lehman for filming and putting this video together.

 

Voices of Poetry: Washington Arts Association

???????????????????????????????I was honored to be part of the Voices of Poetry 2nd Anniversary celebration at the Washington Arts Association Gallery in Washington Depot, CT. Fellow readers included Susan Mitchell, Dimitry Rimsky, Davyne Verstandig, and Karen Silk. The musicians were equally great: Buzz Turner, Lynn Henderson with Hank Milligan, and Adam Scherer. Thanks to Neil Silberblatt for his dedication to poets and poetry events!

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Cimetiere du Pere Lachaise

Cimetìere du Père Lachaise

As I bend down to add my lips
to the dead kisses on Oscar Wilde’s tombstone,
I can’t help but laugh
and wish there were a more punishing word
for irony than the one we have.
When cemeteries bloom, death seems
less distant, and I guess that is the point.
Père Lachaise is a city—with maps,
street signs, and pedestrians, houses full
of memories, full of fame, history, and life.
Music and art settle here: Chopin hums
Prelude number 6, Pissarro washes paintbrushes
with tears. In search of names, the living carry
freshly cut flowers, and green, perpetual moss
swaddles dead tombs. I hold onto my husband,
in this blooming winter, the first day of a new year,
and we roam without sadness through stone,
twist to an outer road where names disappear

and skeletons sculpted with the fire of remembrance,
bear the stark metonymy of place:
Dachau, Buchenwald, Ravensbrück.
Only the screeching purple birds smell
the paradox: lilies and roses can never unpollute
the stench of burning yellow stars.

 

Click the picture below to get to Finishing Line Press, where you can purchase Lune de Miel, where this poem appears. See the Chapbooks link from my home page.

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