Workmanship

Thanks to the Connecticut Poetry Society for posting my poem “Building a House” in their “members’ poems” link (see menu bar under “MORE”). You’ll also find tributes and contest information. Join today and help support the written and spoken word.

 

Building a House
by Amy Nawrocki

On our usual walks, mud gushing
into hiking boots and creeks humming
in quiet trickles, we stop to marvel
at beavers’ work: trees taken down
by fierce teeth, graveyards of stumps
constructed like missile heads. I think:
what careful precision there is in the shreds
of bark wisped in circular piles.
While no clear path is laid to water,
we know they are building dams–
secret tunnels under the silted lake.
There is no doubt—this is work.

Swimmers always, one beaver, intent
on warning us away, slaps the water
with his tail. Instinct and survival
feed his business, not vanity
the way we piece together a room.
Unable to fathom the carefulness, the absolute
technicality of such workmanship, I tell you
how humble I feel, too dumbfounded to believe
these little creatures and their craft. You hold
out your hands to show me how big a beaver is–
bigger than I think—and we carry on
down the path into the car and back
to the house we have built together.

As our house begins to fail,
tiny spaces crack the floor and stairways
and break down the fiber of wood.
When the insulation begins to peel away,
we fight, busy as beavers, to keep it
together. We grit our teeth, burrow
into walls, and cart the hard parts away
with jagged teeth and leather tails.

Escaping the hook

I’m looking forward to an upcoming post-Christmas family reunion. Here is one of my favorite poems from Potato Eaters, my first chapbook from Finishing Line Press. The photo, too, is one of my favorites, found in an attic box years ago. That’s my mother, on the right, and two of her brothers on the left.

Click the yellow BUY NOW button found at the bottom of the page (or this link) to order a signed copy.

Fishing with My Brother

My brother, who is prone to nosebleeds
hasn’t the efficiency to heal wounds;
on his left arm burn marks permanently
blister. His chin bears the scar of the second
fall on the steep hill below the house.

You can’t get any better than that
he says, pushing the fishing line
into my face. Of all the fish ever
to swim in this pond or that, this
one decides to end life on a hook,
its flesh torn and gaping. We
could take a lesson, learn when to give
up, when to know enough is enough.

dana-john-ferne-swingsetHe throws the fish back. How did he become
so elemental? How did he know
the average heart cannot drown
itself too deep, forgetting its purpose?
I want to tell him walk a bit with me
and we’ll cry to the birds who nest by us
in the fairy tale. He’ll listen, I hope.
I can’t wait to see him plant fields, discover
electricity, and cut a strong path
through jungles. But there will be time for that.
Nine times out of ten, it is speed
that breaks us; we grow too fast
trying to fly, or escape the hook.

Rewriting

For My Thirty-third Forty-fifth Birthday 

Four times ten has run

around the globe. Along the way

she picked up five more:

a gull winging to fortune,

a wasp buzzing villainy,

a blond crested hawk surveying the increments,

two mourning doves in flight

The companions, with sails blazing,

frequent glassy seas, blue-green mountains.

 

Poem to Myself the Day I Edit the Past

Remember to watch fire
as it burns
between the fibers of a log
that layer above crisp orange embers,
its flames breathing through
the saw’s cuts that slant perpendicular
to the sequence
of the tree’s narrow years.

ORIGINS: “Lucifer Falls, New York” by Amy Nawrocki

Snow days always make me nostalgic, and stumbling on this “origin story” about a distant summer makes me long (strangely enough) for the waterfall and gorges and the snakes of summer. This is from JMWW Literary Journal’s blog, July 2013

jmwwblog's avatarJMWW

KONICA MINOLTA DIGITAL CAMERAIn today’s ORIGINS, Amy Nawrocki talks about the inspiration for her poem “Lucifer Falls, New York,” which appears in the summer 2013 issue of jmww:

Three months before the wedding, my husband and I found my wedding band in a jewelry story in Ocean City, repacked the car and headed north to the Finger Lakes of New York state, country of Riesling and pungent artisanal cheeses.  The campsite was crowded, bright and hot, but at night we roasted corn on the cob, popped toasted marshmallows with raspberries into our mouths and sipped on cream sherry. Eric and I are avid hikers, so in between wine tasting and lake cruises, we strapped on the boots and took to the gorges and waterfalls outside Ithaca.

The hike took us in and out of pine forests, to the top of the falls, a look out to the valley below. Though elsewhere the…

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Lost and Translation

I found these poems sandwiched between the pages of The Hand of the Poet: Poems and Papers in Manuscript, a beautiful volume of drafts and redrafts from poets like Julia Alvarez and Philip Levine, Robert Frost and Allen Ginsberg. At the time, I knew this would be an appropriate place for this little copied and folded mini manuscript. Luckily, I found it again.

The tanka was published years ago in Modern English Tanka, and I can’t remember how my little cricket song was translated into Russian, or how I came across Jefi-Jun’s version. Lost, then found. translation tanka

Forthcoming

As the year winds down, I’m looking forward next year’s release of The Comet’s Tail: A Memoir of No Memory. This will be one of two essays released by Little Bound Books, a division of Homebound Publications.

Comets Tail Cover Final

Kirkus calls it “a complex and compelling memoir.” Read the full review here.

As an enticement (Homebound is taking pre-orders), here is “In My Sleeplessness, I Hear an Opera” which is featured in Four Blue Eggs.

In My Sleeplessness, I Hear an Opera

In the beginning, I hear the darkness.
I’m crowded by the soprano’s knowledge
of body rhythms. I see E flat cry.
And then the light bulbs begin to sprout, one
by one, by the side of the stage where all
the presidents line up in order.
I know them by their thunderous tenors
because when eyelids magnetize, I do not
sleep. After that, I pretend I that I lie
in a coffin, my arms folded like white
linen in a closet oddly fitted
to the size of my body. I smell cedar.
But all this time I have been wondering
If my eyelashes have learned how to sing.

 

 

 

 

Postmark Unknown

 

Poem Found in the Pages of Roget’s Thesaurus between Celestial and Cerulean
~postmark unknown

Last night
I saw for the first time in a while
blossoms of white against
the wide ebony sky—
reminding me of the lengths
and light years,
the infinite latitude of all
this space. And yet
driving into this elongation
with you
the company of music
and memory,
I felt everything condense,
wrapping both of us
in something beyond time
beyond darkness
beyond blue.