One Hundred Degrees of Plum

Two Poems for My Veins

Infusion

If I had to choose
between snakes’ fangs
and tigers’ claws
to name the needle
piercing my flesh
I select the cat
whose stripes burrow
all the way to skin
because this hunt—
dangerous as an open wound—
leads the seeker
to my blood
and the venom
is already present.

from Mouthbrooders, Homebound Publication, 2019

Generous Bruises

At the bank the teller catches me
counting on my fingers—the same feeling
I had chasing my sister’s bike down
the unpaved road. She would fall before
I could catch her. As the road curved
I was thinking how little I have
to rely on; I should run faster.


Caught in the act of failing, used up again
dwelling in those Hopper paintings
where nothing vacillates, nothing
is weak, and all the women wear black pumps.
Their isolation—so original, it makes them
efficient, but keeps them separate.


But consider this: a crystal’s structure
appears only when cracked. We experience
the same self when the I cracks
and our breath runs out. We earn
the favor of being by breaking
revealing a symmetry so generous it bleeds.
Watching a bruise heal from the inside out
it’s the color that matters:
never black nor blue, but shades of yellow
and one hundred degrees of plum.

from Four Blue Eggs, Homebound Publications, 2017

Hotel Window, 1955 by Edward Hopper, courtesy of http://www.EdwardHopper.net

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