Forthcoming

As the year winds down, I’m looking forward next year’s release of The Comet’s Tail: A Memoir of No Memory. This will be one of two essays released by Little Bound Books, a division of Homebound Publications.

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Kirkus calls it “a complex and compelling memoir.” Read the full review here.

As an enticement (Homebound is taking pre-orders), here is “In My Sleeplessness, I Hear an Opera” which is featured in Four Blue Eggs.

In My Sleeplessness, I Hear an Opera

In the beginning, I hear the darkness.
I’m crowded by the soprano’s knowledge
of body rhythms. I see E flat cry.
And then the light bulbs begin to sprout, one
by one, by the side of the stage where all
the presidents line up in order.
I know them by their thunderous tenors
because when eyelids magnetize, I do not
sleep. After that, I pretend I that I lie
in a coffin, my arms folded like white
linen in a closet oddly fitted
to the size of my body. I smell cedar.
But all this time I have been wondering
If my eyelashes have learned how to sing.

 

 

 

 

Postmark Unknown

 

Poem Found in the Pages of Roget’s Thesaurus between Celestial and Cerulean
~postmark unknown

Last night
I saw for the first time in a while
blossoms of white against
the wide ebony sky—
reminding me of the lengths
and light years,
the infinite latitude of all
this space. And yet
driving into this elongation
with you
the company of music
and memory,
I felt everything condense,
wrapping both of us
in something beyond time
beyond darkness
beyond blue.

The Perils of Bedtime Reading

With A Brief History of Time occupying the top spot of my pile of bedside books, I’ve had space and time on my mind lately. So, four poems (small input, I know) toward a unified theory of the universe.

The Sky’s Version of Truth

So what about the laziness
of light, taking its sweet old time
getting to the eye. The sky
having no reason to be false
teaches memory, a peek
of what old people must have seen:
Cassiopeia learning to dance, Orion
earning his bow, Taurus deciding
to charge. A navigator’s dream.
What the eye catches is an old light.

What we rely on most is thriftiness.
Whatever speed it takes,
the open road is just dotted lines
a tree’s last goodbye to summer,
just lament. It’s a different kind
of blindness—seeing too much
seeing with the heart, light alone
or a blade of grass.
Loving the blindness, the eye sees a pattern:
the round dome of sky,
the traffic of night, ad infinitum.
Connect the dots the sky is saying.

I see a banjo, the spokes of a wheel,
the claw of a crow catching me. Maybe
a duck-billed platypus playing the trumpet.
I can almost hear a star’s last sigh.
Perhaps legacy is spelled out
the way memory returns to you
so many years later: you remember
the leaves, the rain, the sound
of a breath stopping three rooms away.

 

Time Travel

The summer after the diagnosis
we visited their beach house on the Cape,
taking the route through those warped
highways, drawbridges, and rotaries
made for delirium.

What to talk about with my mother’s friends
but the growth of children and the palace
of sea breeze, while the bug zapper
murdered hordes of bugs. What to say
of radiation treatment? What to say
of closure, that our meeting here
is the beginning of goodbye.

That night I met neighborhood kids,
joined them for bonfire and beers,
and dreamt of snakes.

 

After the First Kiss

Venus enters the fourth chamber,
meanders like a comet
through the claret landscape.
Finding it pleasantly blood filled,
she maroons and takes in the scope,
settles where the black holes leading
to outer galaxies close and open
mechanically, leaving no light.

Reclining with the boon of ancient history
pulsing like a red giant around her,
it’s no wonder she feels safe here
in the calibrated darkness. It is time,
she thinks, to postulate the theory,
time to introduce a little magic
into this hollow topography.

And with the red shift, she exits
taking with her tales of time travel
and the red fire of oxygen.
Slipping past the mouth’s gate,
she exchanges the good air and leaves
the secrets of human love.

 

While Constellations Sleep

I press my lips against your cheek,
brush a loose strand from your head,
and fold into midnight blue slumber.
Night watches over its sleepyheads
as a dim light trickles between the slant
of the curtains—perhaps the moon,
perhaps a lonely streetlight peeking in,
searching for companions to embrace.
The kittens tiptoe in, waking me to gaze
silently out the window. But I cannot see
the stars tonight; Orion’s belt brightens
someone’s sky beyond the clouds, beyond
the glossy shell of New Haven’s bubble of light.
The dippers are out of reach, the dragon

has slowed his brutal tail, resting above
the horizon. But I see the constellations
of your face even as you sleep. Wishing
to rescue light from the galaxies you dream,
I trace the pattern of your eyelashes and
telescope into the nebula of your love.

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Moon Birds

For poetry class. Last year’s example

Amy Nawrocki's avatarAmy Nawrocki

For the first assignment in Poetry 205, we listened as students shared a poem they loved or one that inspired, intrigued or interested them in some way. The assignment was to listen and jot down any word or phrase that struck your ear and then write a poem from the fragments. I had  a list of over a hundred phrases from poems and this is the end result:

Moon Birds

any gods
who dare to claim the sky

take sorrow
with open throats

leave chalk white arrows
and nothing more

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Proof of Existence

Distilling Sol Lewitt

Obliterate, says the line
curve the horizon, resist
tremors of an inexact hand
tap into the statuesque control
of an oblique axis, linger
in the infinite advance; find proof
of existence between the abscissa
and the ordinate, between Euclid
and Descartes, between an arrow
and its trajectory.

Sol Lewitt’s work is on permanent display at the Massachusetts Museum of Contemporary Art; poem from Reconnaissance.

 

A girl and a book

I’m reading a biography of L.M. Montgomery (by Jane Urquhart, Extraordinary Canadians Series), a poignant story of the writer’s life which makes her fiction even more meaningful. The new series Anne with an E is also worthwhile. One of my mother’s favorite books, Anne never made it to my bookshelf until I was much older. My parents, on my mother’s urging I’m sure, honeymooned on Prince Edward Island in 1970. To honor what would have been their 47th wedding anniversary, here is my poem.

The Resuscitating Tonic of Make-Believe

After the fifth or sixth closing of a now tethered
hardback edition, (her grandmother’s copy)
she sent Anne of Green Gables back
to the bookcase without ceremony or accolades
with only the guarded impulses of a pact
made between bosom friends: a girl and a book.
Even before her young lips knew
the timid inklings of what might
be later recognized as true love,
she had the entire exploit pinned down
like tissue paper patterned onto checkered gingham.

Someday, she’d bring him, her own Gilbert,
whoever he might manifest as, wherever
she might find him, to red clay sea cliffs of Anne’s
Prince Edward Island, leave the silk dress,
tuxedo jacket and champagne toasts behind
at the chapel, board the ferry and seek out
the lake of the shining waters, where fields
of tall grasses swoon in the breeze and hollyhocks
chime like wedding bells. But someday seems

an unreachable planet when one is thirteen.
The resuscitating tonic of make-believe begins
to peter out like a late August waterfall; thirsty
pragmatism piles up where once fluid imaginings
squeezed between a book’s secretive folds. Flipping
to the last page, she predicts that happily-ever-after
will look good pressed into malleable paper,
but such endings, with their achieved resolutions,
belong only to red-headed heroines, not real girls
who collect bookmarks and play tuba in the band.

cutting the cakeferne and ed honeymoon

The poem appears in Reconnaissance, published by Homebound Publications; second edition 2017 is now available.

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Shadows of Paris

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In honor of Eric D. Lehman’s novella Shadows of Paris winning the Silver Medal from Foreward INDIES Book Award, here is my poem from Lune de Miel.

 

History of a Table

 

The bar where Henry Miller drank

tenders a thin table beneath a mirrored wall

scoping author’s portraits and patrons who filter

into booths and pout with espresso mouths.

I am only apprenticing Paris. We’ve scrapbooked

ourselves here to dip into the ink of artists like us

who came to loot and ransack the city, to hunt

amid gray, cobbled streets, take the surly and brooding

pelt of phenomenon and deposit a littered alphabet

of new and debaucherous talismans. My pen

trembles, and I ache to write myself into a version

of original sin, revel in the profanity of life,

and spit into my inkwell.  Beneath Hemingway

my new husband scribbles in his moleskin.

I fix my eyes toward the ring on his hand.

 

By the time my cocktail abandons me

I have taken custody of the deserted chronicles

left long ago on tap handles and between floorboards.

My husband closes his book; we leave on the table

a handprint of coins and a pocket of space.

The apprenticeship ends with the looted winter air

sweeping us into the amulet of the Paris night.

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Normandy

Amy Nawrocki's avatarAmy Nawrocki

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Eric at Gold Beach in Normandy, 2014

“The Leaves are Falling off the Trees”  ~Normandy 2014

Tanks do not float
and we cannot go backwards.

West to east, last to first
8:00 to 6:30
Juno Sword
Gold Utah
Omaha

Resistance bicycles, full moon,
coca cola, chewing gum,
cigarettes.

Donkey in a small fenced field.
Cemetery cat, friendly, fat, chaffinches.
Sacrifice, courage, cowardice.
How does your garden grow?

Ten thousand crosses—With eyes squinted,
the markings look
like school children holding hands.
Red beach, barbed wire.
Omaha.

Fox green, fox red.
Easy green, easy red.
Dog
white, green, red.
Paratrooper.
Charlie.

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